Sunday, May 10, 2020
The Stranger Absurdity through a Lens - 965 Words
The Stranger: Absurdity Through a Lens The theme of absurdity can be seen through three different lenses in The Stranger, by Albert Camus: life, decisions, and reflection. The first lens in which the reader can see absurdity in the novel is when the protagonist lives for the sensual pleasures of the present moment. The second lens in which the reader can see absurdity in the novel is when the protagonist absurdity of the protagonists decisions on how he does or doesnââ¬â¢t decide to kill the Arab. The third lens in which the reader can see absurdity in the novel is when the protagonist how he reflects back on his decisions and life and concludes that life means nothing between birth and death. The changes in the lenses of Meursault ââ¬Ës absurdum are projected through the authorââ¬â¢s choice of different language. The first lens in which the reader can see absurdity in the novel is when the protagonist lives for the sensual pleasures of the present moment. Meursault is the protagonist who lives for the sensual pl easures of the present moment. He is free of any system of values in his life. And he would rather not behave in accordance with social norms. Meursault tries to live as honestly as he can. He does only what he wants to do and befriending those whom he likes. Although he is blunt with his relationships with people. He says things to his partner that a regular man or woman would choose not to say. It is shown to the reader that Meursault may not be capable of a lovingShow MoreRelatedThe Stranger By Albert Camus1411 Words à |à 6 PagesThe novel The Stranger, written by Albert Camus, encompasses contemporary philosophies of existentialism and absurdism. Existentialist and absurdist philosophies entail principles regarding that oneââ¬â¢s identity is not based on nature or culture, but rather by sole existence. The role of minor characters in The Stranger helps to present Camusââ¬â¢s purpose to convey absurdist and existentialist principles. The characters of Salamano and Marie are utilized in order to contrast the authorââ¬â¢s ideas about contemporaryRead MoreThe Stranger Critical Analysis1788 Words à |à 8 PagesTranslation Assignment: The Stranger by Albert Camus In society, many people will reach a stage in their life where they encounter an ââ¬Å"existential crisisâ⬠and begin to seek answers by questioning the meaning of their existence, or whether a meaning truly exists. Absurdism is the school of thought which argues that meaning is inherently absent in the universe, but that one must embrace this to live freely. Albert Camus uses this philosophy to masterfully craft The Stranger, a novella in which theRead MoreGender Inequality By Virginia Woolf s Orlando Essay1179 Words à |à 5 Pages Virginia Woolfââ¬â¢s Orlando offers a pointed critique of gender inequality through its usage and portrayal of androgyny and fashion. The common perception of gender is threefold; people define gender through physical difference, behavior, and a visual perception of sex. Gender is inherently unstable because it is dependent more upon an onlookersââ¬â¢ reality than scientific difference. Woolf uses androgyny and fashion in order to illustrate the insignificance of physical body: If a woman acts like a manRead MoreOverview of Three Interpretations of Samuel Becketts Waiting for Godot3226 Words à |à 13 PagesChristianity. Beckett had lived through two World Wars. Post WWII Europe was an increasingly bleak world, and there didnââ¬â¢t seem to be any type of guide to show a way out of the darkness. Intellectuals and playwrights, Beckett among them, used their writings to comment on the apparent hopelessness of the situation. According to Shobeiri, this is where the anti-Christianity interpretation comes from. He writes: ââ¬Å"In Waiting for Godotâ⬠¦, Beckettââ¬Ës atheism purports absurdism through the indeterminacy ofRead MoreViewing the Play The Roaring Girl through Michel De Certeaus Walking in the City2567 Words à |à 10 Pagesï » ¿Paths and Rules Michel de Certeaus Walking in the City provides a clear and appropriate lens with which to view and re-view the 17th century play, The Roaring Girl. Thesis: Certeaus notion of subversive navigation within cities illuminates a heretofore unexamined dimension of The Roaring Girl, the protagonists appropriation of major London landmarks for uses completely unintended by the citys planners. The protagonists in The Roaring Girl were able to overturn key social conventions
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